| How
can you design with nothing?
Published
5 February 2008
Also
in this issue: guest
contribution
| alice's
actions
King
Lear said to his daughter Cordelia: ‘Nothing can come of nothing,
try again’, but he was wrong. The use of nothing, or white
space, in graphic design can make all the difference
to something that ‘looks good’ or appears to be cluttered,
jumbled or ‘out of sorts’.
White
space is the absence of text or graphics. This refers to the space
between the sentences or the lines of type, the area between columns
and width of margins, and how text wraps itself around pictures.
Its purpose is to provide visual breathing spaces, break up density
and reduce cramped design.
Most
of the time white space is used subtly without the reader knowing.
Good use of white space usually goes unnoticed and only bad presentations
will receive comments, as that is when the eye perceives something
is wrong. Although it benefits from consistency and accurate symmetry,
not all measured instructions ensure good practice. Too much or
badly placed gaps in design will confuse the reader, deflect from
its purpose and loose control of the design through poor eye navigation.
The next newsletter will describe how to eliminate ‘grey pages’
and effectively use the space on the page; and the following newsletter
will explore how white space contributes towards legibility and
readability. Meanwhile, scrutinise the accompanying
image (as well as the rest of my website) for examples of white
space.
Guest Contribution
Imagine a world without copywriters...
Part 1: How a copywriter benefits a new business
OK, imagine the scenario. You are a new business with a really good
product or service that you want to sell. You have everything in
place: nice stationery, a really good website and adverts ready
to go. You’ve also written your own copy – after all,
who knows your business better than you do?
You start marketing your business, sending out your postcards, placing
adverts in your chosen press and getting your website listed in
as many directories as possible. But as time goes on your conversion
rate is not going as well as you’d hoped. What can be wrong,
you ask?
So
you contact a third person for help – a copywriter, someone
who knows how to play around with words to make them leap off the
page and grab the attention of potential customers. The copywriter
can see the problem: the words aren’t working. They need more
get up and go, more buzz, more passion. They need to move the reader
to pick up the phone and say YES I really want to buy from YOU!
The
copywriter goes away and rewrites all the copy until it’s
clearer and exciting. Only then the clients start to trickle in...
Being new to business is scary and you don’t always have the
budget or time to do absolutely everything. But by using a copywriter
you can rest assured your literature will sell, leaving you to get
on with your business.
You can find out more about copywriters from Fiona Seymour-Jesse
via www.sjcopy.co.uk, or you
can email fiona@sjcopy.co.uk
or phone 01244 301065. Remember I will work
to your requirements, whatever they are!
Alice's Actions #12
What White Space?
Either examine your own printed material or any other publications
to explore white space. Can you recognise it? Where do you think
is it used? How many different kinds can you find?
Have
you ever considered the unprinted areas of a design before? Do you
think they are important? Can you imagine a design without white
space? How about too much? What effect would it have? And what else
would it affect?
If
you want to know more, go ask Alice!
Alternatively, wait until the next newsletter...
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